12/19/2023 0 Comments Eventide blackhole tutorial youtube![]() A “Hot Switch” enables you to program alternate settings for knobs, switching back to their default position when the Hot Switch is depressed. It knows what it is: a high quality spatial processor ideal for HUGE spaces, and one of few reverbs suited for live performance.Ī “Ribbon Control” enables you to morph between two programmable states for any combination of knobs, all of which have two bright blue dots indicating start & stop points that move (both clockwise and counterclockwise) in accordance with the Ribbon Control as you move it from left to right.Īlso, you can toggle between these two points with the “In” and “Out” buttons, snapping the Ribbon Control to its far left or right positions. Blackhole is not that reverb, but hey, it’s not trying to be. I’ve used dozens of VST plugins in pursuit of the perfect reverb, and even though I’ve managed to nail down a few softwares I’ve become very attached to, none of them have yet to pull the sword out of the stone. Of course, I don’t have any first-hand experience with this equipment, but I’ve listened to a fair share of professionally recorded demos and, in my honest opinion, Blackhole’s incredibly dense and diffuse sound is surprisingly true to that of its siblings. That being said, if you’re still reading this, I’m assuming you’re the sort of experimental audionaut who spends a considerable amount of time on the dark side of the moon – even though an EMT-140 plate reverb was used on that album – but anyway, you get the idea.īlackhole ($199) is based on an algorithm that was originally used in Eventide’s DSP-4000 and H-8000 Ultra-Harmonizer rack mount units and later implemented in their Space Reverb guitar effects pedal. Of course, if you’re a starry-eyed ambient shoegazer like me, then subtlety probably isn’t a very high priority. The whole H9 bundle is $167 at JRRShop - unless you get lucky with another coupon code at Eventide.If its title is any indication, Blackhole is not very good at dialing in small, subtle spaces. I'd stick with Valhalla, but both are different enough that if you love that kind of effect, then it's worth both. which is less fantastical and maybe a bit more on-top of the audio than Valhalla's. Not sure if it's meant for heavy or light. Distortion applied very, very lightly = saturation. Finally, there's Crushstation, which I've never tried as I have lots of distortion stuff already, but it could be worth a demo. If you deal with mono sources, be it voice or monosynth, then Micropitch can make them "wider" without sounding fake - or sound more fake if you want. Some people like the Crystallizer type sounds, but I think it's too. Of the new additions in 12 I'd guess I use the pedals the most, especially Rotary, TriceraChorus, MicroPitch, Crystals, and Spring (which is most of them come to think of it.Īll of these are just great sounding plugins, Springs is probably most applicable to sci-fi, but I think you'd be surprised at what they can do.Ĭlick to expand.While my favorite delay is Valhalla Delay (followed by Replika XT), the Eventide Ultratap may be worth checking out, along with Tricerachorus and Undulator ($19 for Undulator and all of it goes to a charity). I do use some of the others, but infrequently. I think these could be really useful in a sci-fi setting. ![]() ![]() These are specialty tools, but when they fit they fit nicely! The H3000 and Octavox fall into the same category. The H910 and H949 are really good, as is the Black Hole reverb. I still have the flanger and phaser hardware in my studio, so it's a little bit about nostalgia, but mostly I love the sounds! And these got used a lot. ![]() ![]() The SP2016, Instant Flanger, and Instant Phaser, which were the reason I purchased this in the first place. Prior to Anthology 12 the plugins that got the most use include: SplitEQ, on the other hand, is brilliant! The thing about these plugins in general is that they can work in almost any genre. Having used the Omnipressor in "real life" I am afraid I am not a fan. ![]()
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